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about

[Porter’s] assured, lovingly lyrical, occasionally frisky playing only confirmed what is becoming common knowledge in the musical world: that she is on the cusp of a major career.
— Mark Swed, LA Times
Violinist Simone Porter has been recognized as an emerging artist of impassioned energy, interpretive integrity, and vibrant communication. In the past few years she has debuted with the New York Philharmonic, the Philadelphia Orchestra, the Los Angeles Philharmonic; and with a number of renowned conductors, including Stéphane Denève, Gustavo Dudamel, Yannick Nézet-Séguin, Nicholas McGegan, Ludovic Morlot, and Donald Runnicles. Born in 1996, Simone made her professional solo debut at age 10 with the Seattle Symphony and her international debut with the Royal Philharmonic Orchestra in London at age 13. In March 2015, Simone was named a recipient of an Avery Fisher Career Grant.                                                                                                                

With the cessation of live concerts Simone continued to record streamed events with Seattle, Pittsburgh, Charlotte and Greater Bridgeport Symphonies. 21/22 season included extensive US touring with debuts and return visits to orchestras such as Colorado, North Carolina, St. Louis, Grand Rapids, Omaha, Quebec, Princeton, Monterey, Bakersfield, Marin, Ridgefield and Wyoming symphonies, Erie Philharmonic and Florida Orchestra, as well as a Celebrity Series (Boston) recital debut which featured the world premiere of a commission from composer Reena Esmail. The 22/23 season is starting with La Jolla and Peninsula Music Festivals, followed by orchestral performances in Winston-Salem, Virginia, Marin, Lexington, Modesto, New Haven, Bozeman, Portsmouth and Jacksonville. In recital, Simone can be heard in California, Florida, and Spain as well as making her debut at 92nd Street Y in New York City.  

At the invitation of Esa-Pekka Salonen, Simone performed his work ‘Lachen verlernt’ (‘Laughing Unlearnt’), at the New York Philharmonic’s “Foreign Bodies,” a multi-sensory celebration of the work of the composer and conductor. In recent seasons, she has also appeared at the Edinburgh Festival performing Barber under the direction of Stéphane Denève, and at the Mostly Mozart Festival performing Mozart under Louis Langrée.  She has also performed with the Los Angeles Philharmonic at the Hollywood Bowl with both Nicholas McGegan and Ludovic Morlot, and at Walt Disney Concert Hall with Gustavo Dudamel.     
“Porter commands the technical chops, throbbing vibrato but, most importantly, the expressive panache, needed to bring the music’s rhapsodic lyricism to life…Porter’s silken-toned virtuosity puts her right up there with the finest interpreters of her generation.”
— Chicago Classical Review

Internationally, Simone has performed with the Simón Bolívar Symphony Orchestra with  Gustavo Dudamel; the Orquestra Sinfônica Brasileira in Rio de Janeiro; the National Symphony Orchestra of Costa Rica; the City Chamber Orchestra of Hong Kong; the Royal Northern Sinfonia; the Milton Keynes City Orchestra in the United Kingdom; and the Opera de Marseilles.

Simone made her Carnegie Zankel Hall debut on the Emmy Award-winning TV show From the Top: Live from Carnegie Hall followed in November 2016 by her debut in Stern Auditorium. In June 2016, her featured performance of music from Schindler’s List with Maestro Gustavo Dudamel and members of the American Youth Symphony was broadcast nationally on the TNT Network as part of the American Film Institute’s Lifetime Achievement Award: A Tribute to John Williams.
Raised in Seattle, Washington, Simone studied with Margaret Pressley as a recipient of the Dorothy Richard Starling Scholarship, and was then admitted into the studio of the renowned pedagogue Robert Lipsett, with whom she studied at the Colburn Conservatory of Music in Los Angeles. Summer studies have included many years at the Aspen Music Festival, Indiana University's Summer String Academy, and the Schlern International Music Festival in Italy.
 
Simone Porter performs on a 1740 Carlo Bergonzi violin made in Cremona Italy on generous loan from The Master’s University, Santa Clarita, California.

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